Panel

PAST EVENTS



24 April 2024

Making sales | The Shifting Landscape

Matt Carey-Williams

Matt Carey-Williams works with contemporary artists on exceptional exhibitions. Through a year-round programme in London and presentations at venues across the world, his nomadic curatorial project stages unexpected encounters between emerging and established artists and international audiences, drawing on three decades’ experience connecting artists, institutions and collectors at the highest levels.


The programme unfolds at two different scales and speeds: single-artist Scenes, staged throughout the year at 12 Porchester Place, and group-show Episodes in changing international locations. Scenes introduce an individual body of work while Episodes create thematic narratives – each elucidated in an in-depth curatorial essay by Carey-Williams – that offer fresh perspectives on art and the world around us.



Carey-Williams has worked at the world’s leading galleries and auction houses, most recently Victoria Miro, where he was a Senior Director and Head of Sales from 2018–23. He has held sales roles at the influential galleries Gagosian in New York and White Cube in London, led Haunch of Venison in Europe, and occupied senior global positions at Phillips, Christie’s and Sotheby’s, where he began his career in 1997.


Matt Carey-Williams

Matt Carey-Williams works with contemporary artists on exceptional exhibitions. Through a year-round programme in London and presentations at venues across the world, his nomadic curatorial project stages unexpected encounters between emerging and established artists and international audiences, drawing on three decades’ experience connecting artists, institutions and collectors at the highest levels.


The programme unfolds at two different scales and speeds: single-artist Scenes, staged throughout the year at 12 Porchester Place, and group-show Episodes in changing international locations. Scenes introduce an individual body of work while Episodes create thematic narratives – each elucidated in an in-depth curatorial essay by Carey-Williams – that offer fresh perspectives on art and the world around us.



Carey-Williams has worked at the world’s leading galleries and auction houses, most recently Victoria Miro, where he was a Senior Director and Head of Sales from 2018–23. He has held sales roles at the influential galleries Gagosian in New York and White Cube in London, led Haunch of Venison in Europe, and occupied senior global positions at Phillips, Christie’s and Sotheby’s, where he began his career in 1997.


Alexandra Hochgürtel & Paula Parole

The Filthy Fox Auction Club is an artist-run auction ‘club’ based in London, run by two friends and art passionates: Paula Parole and Alexandra Hochgürtel. Being part of the eco-system of art college, it has become crystal clear to them how difficult the start of an artistic career within the inaccessible art market can be. The need for more opportunities post-graduation and the tough transition into the “real” art market is what triggered the creation of the Filthy Fox Auction Club. Through their out-of-the-ordinary auction events in spaces around London, they wish to introduce and support a selection of emerging artists - right out of London’s art colleges. Their auctions are always broadcast on Instagram-Live, which offers people from all over the world to bid from anywhere in the comment section.


Alexandra Hochgürtel

Alexandra’s degree in design management and graphic communication design (MA, CSM), coupled with her experience working on creative briefs spanning from university to workplace context, has given her a deep understanding of the creative industries. Her graduate project proposed a value exchange between artists and art enthusiasts outside of the existing gallery setting.

Paula Parole

As a recent Fine Art graduate (MFA, CSM), Paula is aware of the struggle her peers face upon graduation. Apart from her artistic practice in painting and sculpture, she has acquired year-long work experience from leading art institutions, such as the Boros Collection Berlin, Grisebach Auction House and Eguiguren Gallery (TEFAF), developing a commercial understanding of the sector.


Will Jarvis

Will Jarvis, born in 1986, studied painting at Camberwell University, co-founding The Sunday Painter in 2008. After graduation, he established a hub of 14 artist studios and a project space for the artist-led TSP. In 2014, the Gallery transitioned into a commercial entity, representing artists and making its mark at the Frieze art fair in 2015 with a groundbreaking presentation by visionary artist Samara Scott. The Gallery relocated to Vauxhall in 2017.


 In 2021, Will identified a market gap and co-founded Gertrude. Taking on the role of Gertrude's CEO in January 2023, he oversaw the launch of the Gertrude app in November 2023. In January 2024, Will facilitated an official partnership between Gertrude and New Contemporaries, a respected organization supporting emerging artists for 75 years.


Will Jarvis

Will Jarvis, born in 1986, studied painting at Camberwell University, co-founding The Sunday Painter in 2008. After graduation, he established a hub of 14 artist studios and a project space for the artist-led TSP. In 2014, the Gallery transitioned into a commercial entity, representing artists and making its mark at the Frieze art fair in 2015 with a groundbreaking presentation by visionary artist Samara Scott. The Gallery relocated to Vauxhall in 2017.


 In 2021, Will identified a market gap and co-founded Gertrude. Taking on the role of Gertrude's CEO in January 2023, he oversaw the launch of the Gertrude app in November 2023. In January 2024, Will facilitated an official partnership between Gertrude and New Contemporaries, a respected organization supporting emerging artists for 75 years.


07 February 2024

Online Visibility... Without Overwhelming


Larry Achiampong

Larry Achiampong (b. 1984, UK, British Ghanaian) is a BAFTA longlisted (2023) and Jarman Award nominated (2021) artist, filmmaker and musician. He completed a BA in Mixed Media Fine Art at University of Westminster in 2005 and an MA in Sculpture at The Slade School of Fine Art in 2008.

Larry Achiampong's projects employ film, still imagery, aural and visual archives, live performance, objects and sound to explore ideas surrounding class, gender, cross-cultural and digital identity.


Achiampong has presented projects across the UK and globally, including commissions with Art on the Underground, London (2022); The Liverpool Biennial, Liverpool (2021) and The Line, London (2020). He has had recent solo exhibitions at Turner Contemporary, MK Gallery and BALTIC Centre for Contemporary Art.

He lives and works in London and Essex and was a tutor on the Photography MA programme at the Royal College of Art between 2016 - 2021.

Larry Achiampong

Larry Achiampong (b. 1984, UK, British Ghanaian) is a BAFTA longlisted (2023) and Jarman Award nominated (2021) artist, filmmaker and musician. He completed a BA in Mixed Media Fine Art at University of Westminster in 2005 and an MA in Sculpture at The Slade School of Fine Art in 2008.

Larry Achiampong's projects employ film, still imagery, aural and visual archives, live performance, objects and sound to explore ideas surrounding class, gender, cross-cultural and digital identity.


Achiampong has presented projects across the UK and globally, including commissions with Art on the Underground, London (2022); The Liverpool Biennial, Liverpool (2021) and The Line, London (2020). He has had recent solo exhibitions at Turner Contemporary, MK Gallery and BALTIC Centre for Contemporary Art.

He lives and works in London and Essex and was a tutor on the Photography MA programme at the Royal College of Art between 2016 - 2021.

Mollie Balshaw

Mollie Balshaw is a queer visual artist and producer based in the North West. They create paintings in the expanded field, which is a fancy way of saying they make paintings using non-traditional materials and methods; like chucking a disco ball in a bucket of emulsion or making a portrait with a plastic garden chair. This disinterest in tradition and use of unconventional processes and humour is a signifier for queerness in a cis-het dominated medium... and it’s also really fun.
 
They are co-director of arts organisation Short Supply, member of a-n The Artist Information Company’s Artists Council, member of Manchester City Council’s Cultural Consortium and trustee of Islington Mill Foundation in Salford. They understand the challenges artists from queer and lower socio economic backgrounds face and network artists to advocate for each other, as well as maintaining their own practice.

Richard Dyer

Richard Dyer is Editor in Chief of Third Text (Critical Perspectives on Contemporary Art and Culture). He is a widely published art critic, reviewer, poet, fiction writer and a practicing artist. His critical writing has appeared in Third Text, Frieze, Flash Art, Art Review, Art Press, The Independent, The Guardian, The Evening Standard, Time Out, Citizen K and many other publications and catalogues. He was a curator on the major exhibition at the Whitechapel Gallery ‘A Century of the Artist’s Studio: 1920−2020’, (2022), and consultant curator for the Jerwood Gallery at the Natural History Museum (2023/2024). 


He has conducted interviews with Gilbert and George, Nicholas Serota, Euan Uglow, Gregory Crewdson, Sarah Lucas, Andres Serrano, Issac Julian, Yinka Shonibare, Fred Wilson, Raqib Shaw and Georgina Starr among other leading contemporary artists. He has lectured at the Royal Academy, UAL, Sotheby’s Contemporary Art and the University of East London. His painting was exhibited in the exhibition ‘Space Shift’, APT Gallery, London, (2018). See www.thirdtext.org; Instagram: #thirdtext_; #richardxdyerart


Richard Dyer

Richard Dyer is Editor in Chief of Third Text (Critical Perspectives on Contemporary Art and Culture). He is a widely published art critic, reviewer, poet, fiction writer and a practicing artist. His critical writing has appeared in Third Text, Frieze, Flash Art, Art Review, Art Press, The Independent, The Guardian, The Evening Standard, Time Out, Citizen K and many other publications and catalogues. He was a curator on the major exhibition at the Whitechapel Gallery ‘A Century of the Artist’s Studio: 1920−2020’, (2022), and consultant curator for the Jerwood Gallery at the Natural History Museum (2023/2024). 


He has conducted interviews with Gilbert and George, Nicholas Serota, Euan Uglow, Gregory Crewdson, Sara Lucas, Andres Serrano, Issac Julian, Yinka Shonibare, Fred Wilson, Raqib Shaw and Georgina Starr among other leading contemporary artists. He has lectured at the Royal Academy, UAL, Sotheby’s Contemporary Art and the University of East London. His painting was exhibited in the exhibition ‘Space Shift’, APT Gallery, London, (2018). See www.thirdtext.org; Instagram: #thirdtext_; #richardxdyerart





01 March 2023

The Legal + Financial Maze of Being an Artist


Kimberley Ahmet

Kimberley is the Senior Manager at the Artists' Collecting Society (ACS). Before joining ACS, Kimberley was based at the Museum of London where she worked on the Curatorial team. Kimberley read English Literature at Goldsmiths, graduating in 2007 and completed an MA in Museum Studies at the University of London.

ACS is the premium collecting society for the administration of the Artist’s Resale Right (ARR). ARR is a royalty generated on the sale price of original works of art that are sold on the secondary market and it applies to all artists who are UK or EEA citizens. ACS represents over 1,000 artists and artists’ estates including painters, sculptors, photographers, designers, and artists working in glass and ceramics. 

ACS is proud to fund bursaries and residencies for art students at leading institutions, whilst also sponsoring a number of art prizes and charities.



Daniel Foley


Daniel is a lawyer in Mishcon de Reya's Private department, specialising in Art Law and Luxury Assets disputes. Daniel acts for artists, collectors, dealers and high net worth individuals on a broad range of contentious legal issues relating to art and cultural property. Prior to becoming a lawyer, Daniel studied English Literature and Art History at Exeter University and Vassar College.


Mishcon de Reya is a leading law firm headquartered in London. The Art Law's team's contentious work includes advising on cases of damage, ownership and defective title, provenance, authenticity, attribution and reputation, as well as criminal and fraudulent aspects of art.

Daniel Foley

Daniel is an Associate in Mishcon Private. Mishcon de Reya is a leading practitioner in Art law, advising artists, dealers, collectors, auction houses and others.

John Martin

John Martin is the gallery director of John Martin Gallery which he opened in 1992. He was the founder and creative director of Cromwell Place in South Kensington (2014-19) and co-founder and fair director of Art Dubai (2007-9). He is a Board Director of Cromwell Place and the Mayfair Art Weekend and works as an External Advisor for Bain & Co.




Stacie McCormick


Stacie McCormick is a US born, UK based multi-disciplined artist. She holds a Masters degree in Fine Art from City & Guilds of London Art School and exhibits her works internationally. As Director and Founder of Unit 1 Gallery Workshop, Stacie has provided exceptional opportunities for artists and the public through its ambitious programming, delivering more than 40 exhibitions with over 185 artists and curators and establishing a community of over 300 artists. Unit 1 Gallery Workshop hosts 4 Residency Programmes. To date, the initiative has given space and time to 67 resident artists from 23 different nations with a majority of women represented throughout their programmes. 


In 2020, Stacie McCormick founded Fair Art Fair, an app-based digital platform that facilitates relationships between everyone interested in Art in a confident transparent environment. In 2022, Stacie was elected chair of A-N The Artists Information Network (first artist to chair), a 29k membership organisation providing support, bursaries and advocacy for artists.


Stacie McCormick

Stacie McCormick is US born UK based multi-disciplined artist. She holds a Masters degree in Fine Art from City & Guilds of London Art School and exhibits her works internationally. As Director and Founder of Unit 1 Gallery   Workshop, Stacie McCormick  has provided exceptional opportunities for artists and the public through its ambitious programming, that has delivered more than 40 exhibitions with over 185 artists and curators and established a community of over 300 artists. Unit 1 Gallery   Workshop hosts 4 Residency Programmes. The initiative has given space and time to 67 resident artists to date from 23 different nationalities with a majority of women represented throughout our programmes. More than 75 artists received grants as part of our Fundraising Campaign during the first Lockdown in 2020. In response to cancelled graduation shows, Unit 1 Gallery | Workshop was the first to provide exhibitions for 64 artists from 4 art. Stacie has personally conducted over 110 live conversations on IGTV artists, curators, art industry experts and art lovers constantly promote and feature artists from our community to connect digitally to the public and to more than 20,000 followers.

In 2020, Stacie McCormick Founded Fair Art Fair, a new app-based digital platform that facilitates relationships between everyone interested in Art in a confident transparent environment. Whoever you Art you will find a place to explore and discover, buy and sell, organise and document, communicate and be supported.

December 2022, Stacie was elected chair of A-N The Artists Information Network (first artist to chair) 29k membership organisation providing support, bursaries and advocacy for artists.

02 Nov 2022
Studio Life, Exhibitions + Collaborations

Emmanuel Unaji

 

Emmanuel Unaji (b.1994) a British-born Nigerian multidisciplinary artist & co-founder of award-winning design company, Unaji&Co. His signature portraits, combining collage, drawing and painting, have gained widespread recognition in the creative industries and have been featured in household institutions including The Royal Exchange, Tate Britain, Adidas Flagship Store, London Fashion Week and The Freemasons Hall. Coined as ‘new talent to watch’ by several publications and brands such as Forbes, British GQ and Adidas, Unaji explores the socio-economic movement of the African body, sculpting his own space, at the intersection of fashion, luxury, street and fine art.


Emmanuel studied fashion design and completed a degree in BA (Hons) Fine Art at Kingston University in London where he resides. With adept experience in High Fashion, he has modelled for prestigious brands such as Gucci, Ozwald Boateng, British GQ and Adidas.


Artist Residencies: The Hari Hotel, 2021

Represented by Acid Gallery, Lille 



James Putnam


James Putnam is an independent curator and writer. He studied Art History at London University, was Visiting Scholar in Museum Studies at New York University, and Senior Lecturer in Curating at Central Saint Martins, University of the Arts, London (2004-2011) and Senior Research Fellow: Exhibitions at University of the Arts, London (2010-2021). He founded and was curator of the British Museum’s Contemporary Arts and Cultures Programme from 1999 to 2003.


His book ‘Art and Artifact – The Museum as Medium’ (Thames & Hudson, 2000/10) surveys the interaction between contemporary artists and the museum. Since 1994, he has organised a number of critically-acclaimed exhibitions for major museums, juxtaposing the work of contemporary artists with their collections. In the last decade, he has regularly curated projects for biennials, both in Asia and Venice.

James Putnam


James Putnam is an independent curator and writer. He studied Art History at London University, was Visiting Scholar in Museum Studies at New York University, and Senior Lecturer in Curating at Central Saint Martins, University of the Arts, London (2004-2011) and Senior Research Fellow: Exhibitions at University of the Arts, London (2010-2021). He founded and was curator of the British Museum’s Contemporary Arts and Cultures Programme from 1999 to 2003.


His book ‘Art and Artifact – The Museum as Medium’ (Thames & Hudson, 2000/10) surveys the interaction between contemporary artists and the museum. Since 1994, he has organised a number of critically-acclaimed exhibitions for major museums, juxtaposing the work of contemporary artists with their collections. In the last decade, he has regularly curated projects for biennials, both in Asia and Venice.


Maggie Matić

 

Dr Maggie Matić is a curator, writer and researcher with a specialism in contemporary feminist and queer visual culture. Maggie is currently Curator (Studios & Residencies) at Studio Voltaire, and has previously worked at Tate, FACT (Foundation for Art & Creative Technology), The University of Liverpool and The Royal Standard.   

 

At Studio Voltaire, Maggie oversees all aspects of the studio and residency programmes, including the LOEWE FOUNDATION / Studio Voltaire Award, the Syllabus programme, Open House and the rolling artist residency and professional development programme.


Studio Voltaire has always held a strong commitment to supporting under-represented artists and emerging practices, allowing the organisation to offer an alternative and agenda–setting view of contemporary practice. It has grown from a local artist–run collective to an internationally celebrated arts organisation. As a direct result of Studio Voltaire programmes, many participating artists have gone on to be awarded or nominated for prizes including the Turner, Carnegie and Wolfgang Hahn Prizes and MacArthur Genius Fellowship, as well as participating in Venice Biennale, Skulptur Projekte Munster, Whitney Biennial and documenta.


Sarah Beddington


Sarah Beddington is a British artist and filmmaker based in London.
After attending the City & Guilds of London Art School and completing a Masters Degree in Fine Art at Central Saint Martin’s in 1996, Beddington gradually shifted her focus from painting towards the moving image, relocating to New York in 2002. Working in a wide range of media, Beddington received a Bloomberg Special Commission in 2008 and has been nominated for various awards, including the Paul Hamlyn and the Derek Jarman Award.


Sarah has completed many multi and single-screen film and video works that have been shown internationally in film festivals, museums, non-profit spaces and galleries. Her work is included in many private and public collections including Arts Council England.


Her first feature documentary, Fadia’s Tree, was released in 2022 receiving overwhelmingly positive reviews in national newspapers, television and radio. The film received the Amnesty International Best Feature Film Award at Donostia-San Sebastián Human Rights Film Festival (2022); Best Documentary Award at the Karama Film Festival in Amman, Jordan (2021).


Sarah Beddington


Sarah Beddington is a British artist and filmmaker based in London.


After attending the City & Guilds of London Art School and completing a Masters Degree in Fine Art at Central Saint Martin’s in 1996, Beddington gradually shifted her focus from painting towards the moving image, relocating to New York in 2002. Working in a wide range of media, Beddington received a Bloomberg Special Commission in 2008 and has been nominated for various awards, including the Paul Hamlyn and the Derek Jarman Award. In 2014 she was commissioned by Percent for Art in New York to design the lobby of a new school.


Sarah has completed many multi and single-screen film and video works that have been shown internationally in film festivals, museums, non-profit spaces and galleries including: Sheffield DocFest; Liverpool Biennale; Centre Pompidou, Paris; MASS MoCA, USA; FidMarseille International Film Festival; LOOP film and video festival, Barcelona; Hayward Gallery, London; San Francisco Film Festival; Wexner Center for the Arts, Columbus, Ohio and The Drawing Center, New York. Her work is included in many private and public collections including Arts Council England.


Her first feature documentary, Fadia’s Tree, was released this summer in Picturehouse and Curzon cinemas with preview screenings at the BFI Southbank, ICA and Whitechapel Art Gallery, receiving overwhelmingly positive reviews in national newspapers, television and radio. The film received the Amnesty International Best Feature Film Award at Donostia-San Sebastián Human Rights Film Festival (2022); Best Documentary Award at the Karama Film Festival in Amman, Jordan (2021).


Sarah's moving image works, as well as those in other media, focus on a sense of place and belonging, as well as searching for possible alternate narratives hidden in the landscape and the role of memory in unresolved histories.


04 May 2022

Building + Retaining a Career After Art School

Gavin Turk

 

Gavin achieved instant notoriety in 1991 when the Royal College of Art refused him a degree on the basis that his final show, ‘Cave’, consisted of a whitewashed studio space containing only a blue heritage plaque commemorating his presence: ‘Gavin Turk worked here 1989-91’.

 

A British born, international artist, Gavin became a leading YBA who pioneered many forms of contemporary British sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art. His installations and sculptures deal with issues of authorship, authenticity and identity. Concerned with the ‘myth’ of the artist and the ‘authorship’ of a work, Gavin’s engagement with this modernist, avant-garde debate stretches back to the ready-mades of Marcel Duchamp.

 

Gavin was spotted by Charles Saatchi and was included in several YBA exhibitions. His work has since been collected and exhibited by many major museums and galleries around the world. He has completed several public sculptures, including L’Âge d’Or (2016), sited on the south corner of the Press Centre building in London’s Olympic Park and Nail, a 12-meter sculpture at One New Change, next to St Paul’s Cathedral in London.

 

www.gavinturk.com


Zavier Ellis


Zavier Ellis is an international curator, artist and originator of multiple art-based initiatives. He was born in Windsor in the United Kingdom in 1973. He read History of Modern Art at Manchester University (1993-1996) before undertaking a Masters in Fine Art at City & Guilds of London Art School (2003-2005). Zavier is founder and director of CHARLIE SMITH LONDON, a curatorial gallery project that runs off-site exhibitions in diverse locations. He was also co-founder and co-curator of the museum scale exhibition for emerging artists THE FUTURE CAN WAIT, which between 2011 and 2014 was organised in partnership with Saatchi’s New Sensations. In response to recent global events Zavier launched the online work on paper initiative PROJECT PAPYROPHILIA during the first lockdown; and the Ukraine Support Pledge with Matthew Burrows MBE to raise funds by selling artwork for the Ukraine Crisis Relief Fund.


 As well as curating exhibitions globally (including Berlin, Frankfurt, Helsinki, Klaipėda, London, Los Angeles, Naples and Rome), Ellis has exhibited widely including Museum der Moderne, Salzburg; Pera Museum, Istanbul; Saatchi Gallery, London; Torrance Art Museum, Los Angeles; Klaipėda Culture Communication Centre, Klaipėda; Royal West Academy, Bristol; Dean Clough, Halifax; Paul Stolper, London; Galerie Heike Strelow, Frankfurt; Raid Projects, Los Angeles; and ENIA Gallery, Pireas. His work is featured in notable collections including the seminal Sammlung Annette und Peter Nobel, Zurich and Beth Rudin DeWoody, West Palm Beach. 


www.ellissmithprojects.com

Zavier Ellis


Zavier Ellis is an international curator, artist and originator of multiple art-based initiatives. He was born in Windsor in the United Kingdom in 1973. He read History of Modern Art at Manchester University (1993-1996) before undertaking a Masters in Fine Art at City & Guilds of London Art School (2003-2005). Zavier is founder and director of CHARLIE SMITH LONDON, a curatorial gallery project that runs off-site exhibitions in diverse locations. He was also co-founder and co-curator of the museum scale exhibition for emerging artists THE FUTURE CAN WAIT, which between 2011 and 2014 was organised in partnership with Saatchi’s New Sensations. In response to recent global events Zavier launched the online work on paper initiative PROJECT PAPYROPHILIA during the first lockdown; and the Ukraine Support Pledge with Matthew Burrows MBE to raise funds by selling artwork for the Ukraine Crisis Relief Fund.


As well as curating exhibitions globally (including Berlin, Frankfurt, Helsinki, Klaipėda, London, Los Angeles, Naples and Rome), Ellis has exhibited widely. His work is featured in notable collections including the seminal Sammlung Annette und Peter Nobel, Zurich and Beth Rudin DeWoody, West Palm Beach. 


www.ellissmithprojects.com

Paul Benney


Paul has worked as an artist and musician in both the US and the UK and is represented in public collections worldwide, including The Metropolitan Museum of Art, The National Gallery of Australia, The National Portrait Gallery, The Royal Collection, The Eli Broad Foundation, plus numerous other public and corporate collections.

 

Paul’s work has been selected for eight BP Portrait Awards exhibitions, twice winning the public choice award and has been shortlisted on two occasions. In 2020 he was one of seven leading artists commissioned by the Prince of Wales to paint portraits of seven Holocaust survivors (Survivors: Portraits of the Holocaust, a documentary on BBC 2).

 

A member of the Neo-Expressionist group of the early 80’s in New York’s East Village, Paul became known for his depictions of stygian themes and dark nights of the soul. One of the UK’s leading portrait artists, Paul has painted many prominent cultural and political figures.

 

www.paulbenney.com

Rebecca Riegelhaupt


Rebecca is Communications Director, Europe for Pace Gallery, a leading international art gallery representing some of the most influential contemporary artists and estates from the past century, including Alexander Calder, Jean Dubuffet, Barbara Hepworth, Agnes Martin, Louise Nevelson and Mark Rothko.

 

Operating from nine locations worldwide, Pace is an artist-first gallery that mounts both seminal historical and contemporary exhibitions. Now in its seventh decade, the gallery advances its mission to remain at the forefront of innovation through a robust global programme of exhibitions, artist projects, public installations, institutional collaborations, performances and interdisciplinary projects. The gallery has spearheaded exploration into the intersection of art and technology through new business models, exhibition interpretation tools and representation of artists engaging with technology.

 

Pace operates a major gallery space in London at 5 Hanover Square, W1.

 

www.pacegallery.com



Photo by Dominick Soar

Rebecca Riegelhaupt

Pace Gallery

 

Rebecca is Communications Director, Europe for Pace, a leading international art gallery representing some of the most influential contemporary artists and estates from the past century, including Alexander Calder, Jean Dubuffet, Barbara Hepworth, Agnes Martin, Louise Nevelson and Mark Rothko.

 

Operating from nine locations worldwide, Pace is an artist-first gallery that mounts both seminal historical and contemporary exhibitions. Now in its seventh decade, the gallery advances its mission to remain at the forefront of innovation through a robust global programme of exhibitions, artist projects, public installations, institutional collaborations, performances and interdisciplinary projects. The gallery has spearheaded exploration into the intersection of art and technology through new business models, exhibition interpretation tools and representation of artists engaging with technology.

 

Pace operates a major gallery space in London at 5 Hanover Square, W1.

 

www.pacegallery.com



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